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| Features | Pokémon Shock
Below is an English
translation of How to Craft
a Story: Takeshi Shudo, How Anyone Can Become a Screenplay Writer (シナリオえーだば創作術 だれでもできる脚本家 首藤剛志), a blog written by former Pocket Monsters series organizer
and head writer Mr. Takeshi Shudo. The following are excerpts taken
from Blog Post No. 162 "The Pokémon Incident: How the Staff
Reacted," a blog entry related to the Pokémon
Shock incident.
Notes about the translation below
I have two notes
about the translations you're about to read.
One, the Japanese version of the blog is written the way a lot of
Japanese blogs
are written in that the author only types out (roughly) one sentence
per
one line. To a native English speaker like me this makes the blogs seem
weird and choppy but that's just the way a lot of Japanese blogs are
written, for some reason. For simplicity's sake I've replicated this
one-sentence-per-line writing
style in my English translation.
Two, the following translation is a truncated version of a much, much
longer blog entry. Mr. Shudo is
an absolute treasure trove of behind-the-scenes
information you can't get anywhere else but his blogs are, as far as
your
average Pokémon fan is
concerned, about 80% filler. The writer had a tendency to trail off
into
some very off-topic tangents in his blog and so what I've decided to do
is to pick out the parts
that actually discuss the Pokémon Shock incident and present that
to you on the page below. I hope you
will find this abridged presentation a bit easier to read that it would
have been otherwise. If you're someone who would prefer to read an
unabridged translation, however, I've also got you covered; you can
check those out here.
Blog Post No. 162 "The Pokémon
Incident: The staff involved
|
The further we get into
these blog entries the more Mr. Shudo starts to write about the
incident itself.
The
first writers' meeting immediately after the so-called Pokémon
Incident was a gathering of solemn faces.
We confirmed our understanding of the phone call we had gotten the day
after the incident -- "In regards to this situation making the news
right now, we want the stories being told by the production side and
the network to be consistent with each other and so if you get a call
from any news outlet make sure not to give them any of your personal
opinions on the matter" -- and made sure we all knew that any and all
work on the scripts that hadn't been finished yet was to be stopped.
But everyone in the room already knew all this.
However, there were some episodes where the scripts had been finished
and those episodes were already in the middle of the storyboards or
animation stages.
After the final draft the script to an animated show is finished it
takes about three to four months to finish the actual animation itself.
Those episodes were so deep in production that slamming the brakes on
them would have caused a lot of trouble for a lot of people, financial
and otherwise, and so they were allowed to continue.
I want to say the main producer of the series said something like
"We'll figure something out. You guys on the writers' staff don't worry
about a thing." But I also vaguely remember everyone in that meeting
being absolutely crestfallen with what had happened.
In any case, the powers that be decided Pokémon would be pulled
from the air.
When that writers' meeting took place, we wouldn't have been able to
air any of the episodes we were working on even if we had finished
making them.
I have no idea if there would've been a way for us to get those
episodes out through some way other than TV, but it seems like the
episodes being worked on at least were allowed to be completed.
Either way, the incident happened. That's a fact.
Whatever I could say now won't take back what happened.
The root cause of the incident hadn't been made clear yet, and we
didn't know for sure what the victims' statuses were.
Nobody at that writers' meeting wanted to talk about the incident.
And actually, almost nobody said anything about it.
And so I can't say, with any certainty, what the people involved in
Pokémon really thought about what was happening at that time.
A long time after the incident happened, someone tried to console the
person who wrote the Porygon episode by telling him "You just had bad
luck, that's all." But he didn't like that. "You know that doesn't
really make me feel any better, right? You have no idea what it's like
for someone as directly involved with this mess as I am, do you?" At
that moment, his usually pleasant demeanor turned remarkably grim.
We had no idea what was going to happen to the Pokémon animated
series from then on out and so future writers' meetings were canceled.
The screenplay writers had no idea if the show would even come back.
The news was reporting that the incident caused severe illnesses for
some of its victims but that nobody had died.
But it had only been a few days after the incident and we still didn't
have any idea of what kind of after-effects might pop up.
Of course, it was hard for anyone to talk about this.
But even in this situation, there's bound to be a few grumbles or
complaints uttered here and there.
After all, the Pokémon animated series had been growing in both
viewership and popularity.
Nobody was allowing themselves to become complacent back then.
We wanted to keep pushing ourselves to the next level.
One of the big wigs apparently sent out an order to make the battle
scenes more flashy to catch the attention of the viewers, seeing that
as one way that Pokémon could reach new heights.
"If another show had come along and was more flashy than ours, whose
battle scenes caused this incident, then imagine how much bigger this
mess could've been, how many more victims there'd be..."
This isn't an exact quote, but something similar to this slipped out
one of the producers' mouths in an attempt to make the staff who worked
on that Porygon episode feel better.
But the general director, the person seen as bearing the responsibility
for the Pokémon animated series…his disappointment outweighed
his regret.
I'll never forget what he said next, as he sighed out something that I
don't think was meant as a joke at all:
"I wonder if I'll be arrested for 'injury caused by corporate
negligence'…"
I immediately thought "there's no way that'll happen…" but my mouth
couldn't form the words.
Injury caused by corporate negligence. ' is a crime in Japanese law
where someone knowingly takes an action at work they know can be
dangerous if done wrong but then do it anyway. But since neither the
general director nor anyone else involved in Pokémon would have
had any reason to think a TV show, of all things, could cause actual
bodily harm our actions wouldn't have fallen under that law.
Nobody had even imagined the Pokémon animated series could pose
any sort of physical dangers and so we didn't end up getting sued by
any of the victims, either.
And even if we were taken to court I don't think we'd lose.
As a writer I've written a bunch of different scripts and have picked
up some legal knowledge along the way.
But even if I had managed to say something to the director at that
moment it wouldn't have done anyone any good.
Actually, it would probably come across more like "That Shudo guy's the
series organizer and so of course he'd say it's fine. I mean, it's not
like anyone ever collapses from reading words in a script, right?" I
can't have people going around saying that, right?
For the general director, it's not whether or not he committed a crime,
it's the shock of the Pokémon animated series that he's in
charge of causing people who watched it to collapse.
I feel the same way.
I have a responsibility for the scripts that serve as the foundations
of the TV series.
Everyone involved with Pokémon, no matter how big or small their
role is, must have felt the same way.
The gloomy writers' meeting ended and I went up to the general director.
"Well, it is what it is."
He didn't say a word.
I was trying to make the general director feel better (and of course to
make myself feel better too) and so I just said something without
thinking. I have no idea how he took it.
I wish I'd kept my mouth shut and just not said anything back then.
After that, there weren't any more writers' meetings for a while.
|
Next, he talks about how the media handled the Pokémon Shock
incident:
Most
of the mainstream media took turns going after Pokémon as a
whole based
simply on the fact that the Pokémon animated series is what
caused its
viewers to collapse.
People who had never watched an episode of the show or played any of
the video games -- in other words, people who only knew the name
"Pokémon" and nothing more -- started adding in their two cents.
This was the so-called "Pokémon Bashing."
What follows are rumors I've heard mixed with what the media was
reporting.
The actual facts and the nuance of the whole thing might be a bit off.
But from the point of view of the people involved in Pokémon,
their opinions of how this incident was reported also varies.
I'd like to stress that I personally reject the way the incident was
reported below.
I feel like with the Pokémon Bashing, there was a lot of
reporting
based on shakey evidence and zero regards for personal responsibility.
Everything with the name "Pokémon" on it was bad.
We should have been hearing directly from the victims themselves but we
barely heard from them, with the media instead focusing its coverage of
the Pokémon Incident on its criticism of how big the franchise
had
gotten.
The network that broadcast Pokémon worked feverishly to
apologize to
the mainstream media and figure out the clear root cause of the
incident.
And of course, they also went around and visited the victims affected.
|
How did Nintendo react?
The
game company that made the Pokémon video games must have also
been frantically running around.
From the game production side, something terrible had just happened.
The Pokémon animated series, which at the time was going to keep
going
at least one more year (though the possiblity it would continue beyond
that was definitely there), was being pulled from the airwaves out of
an abundance of caution. This wasn't going to leave the video game side
unscathed.
So they immediately lept into action by putting out a statement like
"The Pokémon video games and the animated series are two
different
things. What happened with the TV series has nothing to do with the
video games."
But even after doing that, the hit to the TV show's image was also a
hit to the video game's image.
Anyone could see that. |
Mr. Shudo goes off on a bit of a tangent about how animated adaptations
affect the comics or video games on which they're based before
returning to the Pokémon Shock incident to talk about all the
"what ifs" people were throwing around back then.
The
Pokémon animated series, which had been a good little boy up
until then, suddenly became a troublemaker not just for itself but for
the video games and the merchandise, all in the space of one night.
During that day's broadcast, a commercial for the Rocket-Dan's image
song (the one I wrote the lyrics for) and Sachiko Kobayashi's ending
theme both aired exactly one time each before Pokémon was taken
off the air.
Even so, the Rocket-Dan's song ended being a hit on a league of its own
when you compare it to all the other songs I had written.
I haven't been able to produce a hit of that level ever since.
A music producer once said this to me:
"If it weren't for that incident then both the Rocket-Dan's song and
Sachiko Kobayashi's song could have become way bigger hits."
I can't even imagine what those numbers would've looked like.
"If it weren't for that incident…woulda, coulda."
At the time I was hearing people say things like that all the time.
Pokémon, at the time, was doing so well that a lot of people
from a lot of different industries were getting involved. And so
immediately after the incident happened these people felt down and got
really upset.
You can say "if it weren't for that incident" all you want, but the
truth of the matter is that it happened.
When the TV series restarted and Pokémon became a hit again, you
stopped hearing people say "if it weren't for that incident…"
And up until about a year and a half later, when I had been admitted
into the very same hospital that one of the victims had been taken to
that night, the incident had largely vanished from my mind.
As I sit here now, more than ten years after the fact, I'm wondering
more about how the victims are doing than I am about anyone of the
production staff.
But we don't hear from the victims.
When people say "if it weren't for that incident…," I feel like that
can easily become "please pretend like that episode doesn't exist,"
which then turns into "that incident never happened."
I don't really want to remember it either, but as I sit here writing
this, I can't help but look back.
|
He ends
the entry by bringing up "That Person," my translation of the person
Mr. Shudo has given the nickname Gozen-sama
(御前様).
However,
and I'll say this again, when it comes to production of the
Pokémon animated series all I can tell you is what I saw and
heard myself.
Out of all the people involved with the production of the
Pokémon animated series, the people who were in the worst
predicament, job-wise, were the people who helped start up the
Pokémon animated series in the first place. In other words, it
would have been the big producer who I'll be calling "That Person."
The notice we got that I told you about at the beginning of this entry
-- "In regards to this situation making the news right now, we want the
stories being told by the production side and the network to be
consistent with each other and so if you get a call from any news
outlet make sure not to give them any of your personal opinions on the
matter" -- the person who had to decide what that "consistent story"
was going to be must have been that person.
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