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Dogasu's Backpack | Features | Pokémon Shock
Below is an English translation of How to Craft a Story: Takeshi Shudo, How Anyone Can Become a Screenplay Writer (シナリオえーだば創作術 だれでもできる脚本家 首藤剛志), a blog written by former Pocket Monsters series organizer and head writer Mr. Takeshi Shudo. The following are excerpts taken from Blog Post No. 157 "The Unexpected Pokémon Incident: A Few Months Before," a blog entry related to the Pokémon Shock incident.
Notes about the translation belowI have two notes about the translations you're about to read.
One, the Japanese version of the blog is written the way a lot of Japanese blogs are written in that the author only types out (roughly) one sentence per one line. To a native English speaker like me this makes the blogs seem weird and choppy but that's just the way a lot of Japanese blogs are written, for some reason. For simplicity's sake I've replicated this one-sentence-per-line writing style in my English translation.
Two, the following translation is a truncated version of a much, much longer blog entry. Mr. Shudo is an absolute treasure trove of behind-the-scenes information you can't get anywhere else but his blogs are, as far as your average Pokémon fan is concerned, about 80% filler. The writer had a tendency to trail off into some very off-topic tangents in his blog and so what I've decided to do is to pick out the parts that actually discuss the Pokémon Shock incident and present that to you on the page below. I hope you will find this abridged presentation a bit easier to read that it would have been otherwise. If you're someone who would prefer to read an unabridged translation, however, I've also got you covered; you can check those out here.
Mr. Shudo's 157th blog entry starts off with a very general overview of the Pokémon Shock incident.
Mr. Shudo then spends pretty much the rest of the entry talking about how, before the incident, he was busy working on two things; the first Pocket Monsters novelization and the lyrics to the song Rocket-Dan yo Eien ni. At the very end, however, he returns to talking about the incident again:
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