|| July 2021
Old Updates Archive
Dogasu's Backpack | Old Updates Archive | July 2021
Pocket Monsters The Movie "Mewtwo Strikes Back!" & "Pikachu's Summer Vacation" to return to theaters
July 24th, 2021
Dogasu @ 17:14 JST -- The Jimbocho Theater in the Ochanomizu area of Tokyo is holding a special event early next month entitled "I Wanna See it on the Big Screen Again! Movies from Summer Vacations Past" (もう一度スクリーンで観たい―あの時代の夏休み映画) during which twelve classic Japanese summer blockbusters will be screened. One of those twelve films will be Pocket Monsters The Movie "Mewtwo Strikes Back!" & "Pikachu's Summer Vacation."
Both the main film and the Pikachu short will be shown together as a double feature, something I don't think has happened since its original theatrical run back in 1998, maybe...? The screening schedule, as posted on the theater's website, is as follows:
The runtime listed on the site is 65 minutes for Mewtwo Strikes Back! and 23 minutes for Pikachu's Summer Vacation. That shorter runtime for the main feature, combined with the fact that the website is stating that each film will be projected from 35 mm film originals, heavily implies that what's going to be shown is the original theatrical version of the film and not the Kanzenban.
For those of you who don't know, "Mewtwo Strikes Back!" The Kanzenban is the "Special Edition" of the first movie created after the film was already released in Japan in preparation for the film's upcoming international debut. The two major differences between the original theatrical version and the Kanzenban is that 1) the Kanzenban has a ten-minute animated adaptation of The Birth of Mewtwo radio drama tacked onto the beginning of it, and 2) the Kanzenban replaces a lot of the animation from the theatrical run with newly redrawn scenes and/or CG animation. I actually posted side-by-side comparisons between the two versions years and years ago; check out my page in the Movies & Specials Guide on Mewtwo Strikes Back! The Kanzenban for more.
The theatrical version was only ever released twice in 1999 -- once on VHS, and once on LaserDisc -- before the Kanzenban swooped in and essentially became the version of the movie. It's essentially the Pokémon equivalent of the Star Wars Special Editions. Ever since the late 1990s, every single home video release, TV broadcast, theatrical re-release, or online stream of the first film has been of the Kanzenban. The fact that this one theater in Tokyo is showing the original theatrical version of the film really is something to celebrate.
Tickets are 1,300 yen for general admission, 1,110 yen for senior citizens, and 900 yen for students. You cannot reserve tickets in advance; you have to line up to buy tickets on the day of the showing you want to attend. Seating will be limited to 99 people per screening.
Translation: "Pokémon Pia" Interviews with Megumi Hayashibara, Shin-ichiro Miki, and Inuko Inuyama
July 12th, 2021
Dogasu @ 19:22 JST -- Sorry for the lack of updates the last *checks the date of the last post* month and some change. There were lots of real world stuff that got in the way but things have calmed down now so I should be able to post again fairly regularly.
Let's kick things off with a few new translations! This time I'm going back to Pokémon Pia -- you may remember that as being the special magazine that posted those interviews with Yuuji Ueda (Takeshi), Mayumi Iizuka (Kasumi), and Unshou Ishizuka (Dr. Ookido), among many others -- to take on the interviews it conducted with the Rocket trio! Megumi Hayashibara (Musashi), Shin-ichiro Miki (Kojirou), and Inuko Inuyama (Nyarth) were all interviewed individually and so for today's update I've translated all three of them.
These interviews are really fascinating to me because when you read the answers the voice actors give you can't help but get the feeling they reeeeeally didn't want to even be doing them in the first place. These Pokémon Pia interviews were done back in 2017 as promotion for Pocket Monsters The Movie "I Choose You!", a film in which the trio barely appears, and so maybe that has something to do with it? Megumi Hayashibara gives it a nice effort, to her credit, but Inuko Inuyama and especially Shin-ichiro Miki give such short, curt answers to all the interviewer's questions that you can't help but get the feeling that they just wanted to hurry up and get it all over with. The interviews are fascinating, but they're also really, really bizarre.
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